Latest News

Brazilian Indigenous artists use film to fight for their rights

Brazilian filmmakers present their work

Films are being used to fight for Indigenous land rights

Native artists can demonstrate strength and legitimacy of their cause

By Andre Cabette Fabio

One rainy night, two dozen film lovers sat in front of a projector and watched as Amazonian filmmaker Takuma Kikuro demonstrated a Fulni-o ritual.

Fulni-o people live in northeastern Brazil. They, along with most Indigenous Brazilians, have been involved in longstanding battles about their land rights.

Takuma said that indigenous cinema was an instrument of fight. He also showed his short "Jungle Fever", about a shaman facing wildfires with his son.

He said, "We're developing it to be seen around the world. Not only in theatres, but on TikTok and YouTube, as well as other media."

Organisers say that more than 7,000 people representing 150 Indigenous ethnicities are participating in the annual Free Land Camp. They will be campaigning against legislation which could prevent some groups from reclaiming territory they were forced to leave.

A growing number of Indigenous Artists, such as the award-winning film maker Takuma, attend. Their films are shown in festivals both in Brazil and abroad.

Indigenous content producers maintain a social media network of influencers, reporting on the Indigenous land movement, which is closely connected with the protection of nature in Brazil and the Amazon rainforest.

The chief of the Kuikuro Village in Takuma, concerned that youths were losing interest, promoted filmmaking.

The chief asked for films to be made that would document and preserve Kuikuro cultures, including Indigenous customs such as their singing.

Takuma, a member of the community, said: "Our community understands how important it is to us that we make these films ourselves." Rain pelted down on a plastic tarp above and a small rave and concert were being staged nearby.

When white people made movies about us, it was because they didn't know what to include.

SELF-REPRESENTATION

Takuma, like many others of his generation began learning filmmaking through the Video nas Aldeias project (Video in the Villages).

The project was launched in 1987 by French Brazilian filmmaker Vincent Carelli. It has resulted in the production of dozens films.

Takuma, who owns his own production company Xingu Filmes in Brazil's Amazon region, is currently producing a number of short films about life in the Xingu Indigenous Territory.

Hugo Fulnio, another filmmaker from the Free Land Camp, screened "Tore Virtual", his short film.

The film takes viewers to an Indigenous village in arid woodlands, where four men alternately shake marakas while women sing.

Hugo, a participant in the Video nas Aldeias Project, said that films "support our cultures and safeguard them for new generations".

In recent years, activists and advocates linked to Brazil's Indigenous Rights Movement have formed large collectives which produce content about their cultures as well as real-time coverage on protests and attacks.

In 2017, at the Free Land Camp, they launched Midia Indigena. This media collective has now more than 251,000 Instagram followers and more than 560,000 TikTok followers.

According to Midia Indigena a network 780 communicators in Brazil produce content.

Priscila Tajowara, president of Midia Indigena and a filmmaker and photographer, says that their work covers Indigenous issues which mainstream media in Brazil has ignored.

Tapajowara: "We were first to speak about invasions such as the Yanomami Indigenous Territory."

According to the United Nations Human Rights Office, the Yanomami people in the Amazon rainforest have been attacked by illegal small-scale gold miners who have destroyed forests, contaminated the water, and brought deadly disease.

The largest indigenous umbrella organization in Brazil, Apib (which organizes the Free Land Camp), has its own media channels. It is supported by seven of its member organizations, who post photos and stories about the Indigenous gathering on social media.

Richard Wera Mirim is a photographer and manager of the Guarani Yvyrupa Commission Instagram account. He has more than 25,000 Instagram followers.

He said that the advantage of having Indigenous communicators was not just their ability to demonstrate the struggles of Indigenous movements, but also their strength and legitimacy.

If the story involves tragedy or Indigenous people being killed, then it will be broadcast on TV. "If it's our fair fight for territories, about exposing invaders, then it won't receive the same coverage," said he.

(source: Reuters)