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Ivanhoe increases copper and zinc production in Congo, as Platreef lifts outlook

Ivanhoe Mines'said on 'Monday that it delivered higher copper and zinc production in the first three months, a result of a ramp up at its flagship Kamoa Kakula complex in Democratic Republic of Congo. A key infrastructure milestone was also achieved at the Platreef Project in South Africa. Ivanhoe Mines' first-quarter update follows a reshrinkage of its copper anode production guidance for 2026 to 290,000.-330,000 metric tonnes and output in 2027 to?380,000-420,000 metric tons, citing more conservative mine plans.

Kamoa-Kakula is a key asset for growth in a copper market that would otherwise be constrained by supply.

In a press release, the Canadian-based miner stated that its Kipushi Mine in Congo produced 65,044 tons of zinc concentrate, a record. This is 6% more than the previous quarter.

The company stated that improved plant recovery, which averaged over 90% for the firsttime, helped offset persistent energy instability at the operation.

The smelter on site, which produces copper directly to blister, has been ramped up to 60% of its capacity of 500,000 tons per year. The company stated that the smelter aims to produce about 300,000 tonnes of copper per year. Further increases are constrained by feed concentrate.

Ivanhoe announced that it had completed a 'new shaft' at its Platreef Mine in March. This will allow for a 'higher grade ore. The?company anticipates commercial production by mid-2026. Early work on Phase 2 is already underway.

KAMOA-KAKULA TO BENEFIT ?FROM SHIPPING DISRUPTIONS

Sales of sulphuric acids, a by-product from smelting in Kamoa-Kakula are increasing margins. Realized prices for a ton of acid have been around $500 due to a tightening of global supply. Robert Friedland, executive co-chair, said that disruptions in global shipping routes could exacerbate shortages, which would threaten copper supplies elsewhere. The smelter, however, will be the beneficiary, rather than a customer. (Reporting and writing by Yassin Kobi; editing by Louise Heavens).

(source: Reuters)